As far as screwball comedies go, His Girl Friday is the crème-de-la-crème, exceeding in brilliant, snappy dialogue and well-cast star-power. Walter Burns (Cary Grant) is the editor of a New York newspaper whose top journalist is also his ex-wife, Hildy Johnson (the beautiful, sharp-tongued Rosalind Russell). When Hildy quits her job to marry a milquetoast insurance salesman, Bruce Baldwin (Ralph Bellamy), Walter does everything he can to get her back – even if it means conniving her into missing her wedding ceremony to cover the biggest story the paper has seen yet. His trickery is low, perhaps, but who would blame a man for wanting to “know the kind of man [his] wife is marrying,” as he says?
The film is based on a stage play entitled “The Front Page,” which is fairly obvious by the few sets utilized by Hawks and crew. Ironically, the movie was remade using the play’s name in 1974, a version that was directed by Billy Wilder, whose Sabrina I reviewed last. A small world, that Hollywood. Or rather, I should say, How economical! Leave it to Hollywood studios – why look for more, when you have it already made? But I digress – more on that some other time.
Let me leave off by saying that if you can keep up with its fast pace, His Girl Friday is a comedy-lover’s dream. And for the philosophers, well, in the words of Cary Grant, “You've got an old-fashioned idea divorce is something that lasts forever, 'til death do us part.' Why, divorce doesn't mean anything nowadays, Hildy, just a few words mumbled over you by a judge.”
You couldn’t have said it better, Archie Leach.
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